Printmaking Today - Spring 2020 - Issue 113

Cover: Love and Light - Pink (2019) Dan Baldwin.
Screenprint, 900 x 900 mm. Copyright Dan Baldwin, courtesy CCA Galleries.
Dan Baldwin will be showing with CCA Galleries at the London Original Print Fair



Year 2020
Volume 29
Issue 113

Printmaker's Diary
Professor Peter Lloyd
(Head of School of Art, Solent University) looks back at NOPE 2019 and forwards to professorship in Shanghai

Cuttings

Profile
The artist form 'elsewhwere'
A solid grounding in print informs Naiza Khan's wide-reaching practice that embeds serious playfulness writes John Phillips

Curation
Centernary Celebrations
Anne Desmet RA RE on curating a landmark exhibition at the Ashmolean Museum celebrating 100 years of the Society of Wood Engravers

Fair
Patrons of Print
Judges Philippa Hogan-Hern and Helen Rosslyn discuss the opportunities for early-career artists ahead of the Jerwood Printmaking Today Prize at the London Original Print Fair


Artist's Eye/Ben Henby
Scaled Self
Ben Hendry ARE
won the Printmaking Today  prize at the RE Masters: Relief exhibition for his artist's book, Self Portait

Profile
Palimpsest Plates
Nan Mulder
 on the unusual mezzotint practice of Polish printmaker  Tomasz Winiarski, who deliberately distresses and reworks his plates

#WIP
Unknown Landscapes
Louise Davies RE
discusses her affinity to moorland and all the research and development that goes into creating a body of work

Artists' Books
A Man of letters
Dr Sarah Bodman
 talks to Tim Hopkins of the Half Pint Press about his new artist's books Imaginary Letters by Mary Butts

Practical
Etched Lino
Howards Jeffs RE 
 explains his method for etching lino to achieve spontaneous, painterly mark-making on a relief matrix

Profile
Master Carver
Richard Noyce
visits Tom Huck at Peacock Visual Arts, where he is creating an ambitious, large-scale, elaborately woodcut triptych during a dedicated three-year residency

Opinion
Devil's Advocate
Sometimes it takes an outsider to ask the difficult questions. Richard Noyce has supported printmaking throughout his writing career and now poses some challenging thoughts

Collections
Conscientious Collection
Advising corporate clients how to build an art collection, Nigel Frank of Frank/Hindley Art Consultants, champions printmaking for all the obvious and, not so obvious, advantages

Galleries
Forging Strong Relationships
Dr Wendy Rhodes
gains insight into a professional gallery-artist collaboration from Eames Fine Art, Rabley Contemporary and Sarah Wiseman Gallery 

Obitaries
Peeter Allik 1966-2019
Ann Le Bas RE 1923-2020

Bookshelf

Book Reviews

Resources

Opportunities

Previews

Listings

My Printing Day
Professor Paul Coldwell